tonal pattern การใช้

• Its focus is on rhythm for drums and tonal patterns for piano.
• Eighty-six subjects were tested, and none perceived the tonal pattern correctly.
• The procedure for creating this tonal pattern is intricate and involves several tonal rules.
• I've heard that tonal pattern before.
• Different verb tenses have different tonal patterns.
• The listener is left with only the rhythmic and tonal patterns of the spoken words.
• There are, however, several basic homophones pronounced with exactly the same tonal patterns.
• In addition, certain tenses have a different tonal pattern when used in certain kinds of dependent clauses.
• Tonal patterns in Bariba have been claimed to present a challenge to the Two-Feature Model of tonal phonology.
• Since these rules are catering to Thai tonal patterns, they are deficient for representing Isan speech and their distinct tonal patterns.
• Since these rules are catering to Thai tonal patterns, they are deficient for representing Isan speech and their distinct tonal patterns.
• The linguist Jacques Guy once suggested that the Voynich manuscript text could be some little-known natural language, written tonal patterns.
• Guilmartin and Levinowitz were influenced by Gordon s work, and included tonal patterns and rhythm patterns based on his work in their new program.
• But when songs are imagined, Zatorre said, parts of the visual cortex also light up, suggesting that tonal patterns evoke visual imagery patterns.
• Liszt, especially, strongly influenced the tonal patterns of Wetz's early work, although even then Wetz was already forging his own path.
• Sesotho is a grammatical tone language; this means that words may be pronounced with varying tonal patterns depending on their particular function in a sentence.
• In addition to lexical tones, phrasal tones, and the tonal patterns of tenses, there are also intonational tones in Luganda, for example, tones of questions.
• Tanacross and Upper Tanana share a high degree of mutual intelligibility, though the tonal patterns ( with the exception of the Tetlin dialect, which is apparently toneless ) are reversed.
• Clusivity distinctions as well as the distinction between second and first person is marked by the tonal pattern across the word ( morphemes and stem do not have inherent lexical tone ).
• Elsewhere in the United States, this tonal pattern is characteristic of the speech heard in parts of the rural Upper Midwest that have come under the influence of Norwegian phonology through North Dakota.